Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850

Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850

Source :

• Music and Letters [ 0027-4224 ] ; 2005.

English descriptors

• Entity :
  • org : ACADEMY OF ANCIENT MUSIC, Academy of Vocal Music, American Musicological Society, British Institute of Organ Studies, Cambridge University, Coimbra University, Mexico City, Mexico City Cathedral, Portugal and Spain, Portugal, Spain, Research Chronicle of the Royal Musical Association, Royal Academy of Music, University of Texas.
  • pers : Albert Luper, Alexandra Wilson, Alfred Novello, An Inventory, Angelo Mai, Annie Coeurdevey, Antonio de Oliveira, Arthur H. Scouten, B. Mariæ, Balthasar Moretus, Barclay Squire, Bo Holten, Bononcini, Bruno Turner, Carl Proske, Catalogue, Charles Bordes, Charles Cotton, Christ Church, Christopher Plantin, Colin Clair, Creswell Novr, D. João, Diego de Pontac, Donald Burrows, Donna Marie, Duarte Lobo, Duarte de Noronha, Edmund Fellowes, Edmund Warren, Eduardo Lobo, Edward Francis, Edward Rimbault, Elisabeth Zachariae, Ernst Ludwig, F. J. Levy, Filipe de Magalhães, François Reynaut, Gavin Turner, George Thomason, Georges Schmitt, Geral, H. Saxby, Handel, Harmonicon, Harry Christophers, Hawkins, Heather Professor, Henry Aldrich, Henry Needler, Herbert Howells, Horatio Vecchi, I. Musique, Izaac Walton, J. S. Stevens, James Butler, James Clements, James Craufurd, Jean Auguste, Johann Christoph, Johannes Lupi, John Immyns, John Newman, John Parker, Johnstone, Jonathan Wainwright, Jorge Marques, Joseph Napoléon, Joseph Ney, José López-Calo, Katharine Ellis, Kathy Adamson, Kenneth Kreitner, King D. João, King João, La Maîtrise, La Polyphonie, La Renaissance, Les, Lima Cruz, Lobo Lupus, London Stage, Louis Niedermeyer, Manuel Cardoso, Manuel Joaquim, Michael Noone, Miguel R. Bernardes, Mus, My Collection, Needler, New College, Novello, Orlando de Lasso, P. Cat, Paulo Petti, Pepusch, Percy Lovell, Percy M. Young, Peter Leech, Peter Ward, Phil Hayes, Philip Hayes, Philip Olleson, Philippe Vendrix, Pilar Ramos, Proske, R. J. S. Stevens, Rainbeau, Real, Reginald Nettel, Ribeiro, Richard Fitzwilliam, Rimbault, Robert Martin, Robert Stevenson, Rui Vieira, Rémy Campos, Samuel Picart, Samuel Stevens, Samuel Wesley, Sandra Tuppen, Score, Scores, Sebastian Wesley, Simon Heighes, Stella Panayotova, Stevens, Stevens Copyist, The, Thomas Barrow, Thomas Gresham, Thomas Warren, Tim Eggington, Two, Vincent Novello, Warren, William Ayrton, William Byrd, William Horsley, William Knyvett, William Walond, William Weber.
  • place : America, Antwerp, Austin, Badajoz, Bergamo, Brussels, Cambridge, Coimbra, DC, ENGLAND, Europe, FRANCE, France, Frank Bridge, Frankfurt, Granada, Italy, Leipzig, Lisbon, London, Oxford, Palestrina, Paris, Portugal, Regensburg, Rome, Santa Cruz, Seville, St Helen, St Margaret, St Michael, UK, Washington, Worcestershire, Évora.
• Teeft :
  • Actas capitulares, Alfred novello, Altus, Altus primus, Altus secundus, Ancient music, Annotation, Anthem, Antiquarian, Asperges, Barrow, Bassus, Beata virgine, Beati, Beati mortui, Biblioteca, Bodleian, Bodleian copy, Bodleian library, British library, Caelo, Cantus, Cantus part, Cantus primus, Cantus primus part, Cantus primus solo, Cantus secundus, Cantus secundus part, Capilla, Capilla real, Choral response, Christ church, Coimbra, Copying, Copyist, Daily post, Defunctis, Domino, Domino moriuntur, Duarte, Duarte lobo, Dynamic marking, Early music, Edmund, Edmund warren, English copyist, English editor, English musical antiquarian, Exemplar, False relation, Final note, Final syllable, Final volume, First volume, Fitzwilliam, Fitzwilliam museum, Fitzwilliam music, General history, Granada, Harmonic, Henry needler, Horsley, Immyns, James bartleman, Johannes lupi, John immyns, Katharine elli, Last note, Liber, Liber missarum, Lisbon, Lobo, Lupi, Lupus, Madrigal, Madrigal society, Madrigal society manuscript, Magnificat setting, Manuel cardoso, Manuscript, Manuscript copy, Manuscript source, Many case, Michael noone, Minute book, Missa, Missa cantate domino, Missa dicebat jesus, Missa elisabeth zachariae, Missarum, Modern time, Modern writer, Moriuntur, Mortui, Motet, Motett society, Music book, Music manuscript, Musique, Musique ancienne, Needler, Nineteenth century, Novello, Olleson, Opening section, Organist, Other copy, Palestrina, Partbook copy, Partbooks, Pater, Pencil annotation, Penultimate note, Philip hayes, Philip olleson, Polyphony, Portuguese, Portuguese music, Portuguese polyphony, Prefatory material, Primus, Programme, Publishing music, Quarterly musical magazine, Repertory, Rimbault, Royal academy, Royal college, Royal musical association, Sacred harmonic society, Sacred music, Samuel picart, Samuel wesley, Second note, Secundus, Semibreve, Seventeenth century, Shelf mark, Syllable, Syncopated, Syncopated semibreve, Thomason, Thomason volume, Title page, Vidi, Vincent novello, Vocal polyphony, Vocem, Walond, Ward jones, William weber.

Abstract

• https://api.istex.fr/ark:/67375/HXZ-0T61NH6B-X/fulltext.pdf

Affiliations:

• Royaume-Uni
• Angleterre, Oxfordshire
• Oxford
• Université d'Oxford

Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000734
• to stream Main, to step Curation: 000709

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